Hey y'all. So I mentioned in my previous post that there are three stages to Infected Mushroom, and this stage, containing Converting Vegetarians and IM the Supervisor, is what I'm going to call the electric driven period. It's where Infected Mushroom broke from their original psytrance sound and decided to try new things. That doesn't mean they broke free instantaneously. Fan expectations are always going to be problems, no matter who you are and what you do.
This is something I call "the webcomic effect." It happens in every art form, but is most obvious in web comics. That is, the writer/artist is in a process of learning what they want to do with their comic, and after a while, they figure out exactly what the plan is, often resulting in a comic becoming very different. The trouble is, this realization of what the author wants often comes at a cost at alienating the things that early fans liked. To the author, the things they stopped doing are just dead ends. To the fans, those are important details that were never addressed, or the ideas that drew them in, but aren't being continued.
It happens with music, too. In most cases, it happens later in music than it does in other art forms. The musician, at first, can do whatever is on his heart. Later on, however, he has to make money if he wants to continue. Or he can just be bored of the same old and want to try new things. The latter is more than likely the motivation for Infected Mushroom's biggest change: a turn away from pure psytrance. It was a slow change, and probably reflects who Erez and Duvdev are as people. Nobody can stay producing the same stuff all the time, and this feeling already shows by their album history at this point.
For this period, Infected Mushroom finally emerged from the over-serious, artsy-fart intellectual depths of psytrance and allowed themselves to try new things. I call it "electric driven" because even while IM is emerging from pure psytrance, they were not yet bringing in the rock influence that characterizes the albums of the next period -- they were, to my ear, drawing from other electronic music genres. There's dance, techno, and vocal house influence all over these albums. It's as though IM wants to experiment, but they're being extra careful not to stray too far from their audience.
However, they really were breaking free of fan expectations, and better yet, they were doing it on purpose. They weren't simply making music until the fans got sick of it, or until they changed into people that no longer felt emotionally connected to the sound they produced. They were making purposeful strides to change their sound choices so that not only would their sound not grow stale, but so their albums could grow alongside the band and their fans would be used to their change.
Album #4: Converting Vegetarians